The style of accompaniment in the A major section also changes, with a light and hopeful counter-melody in the right hand that stands in contrast to the metronomic urgency of the 16th notes. 2 24. 8 Robert Schumann - Werner Güra, Jan Schultsz ‎– Dichterliebe Op. 2 It was as if the heavens 10 0.0/10 0.0/10 4 2 8 4 10 -  10 *#376057 - 12.38MB - 10:49 -  Performers and scholars have long viewed Schumann's Eichendorff-Lieder, or Liederkreis, Op. Identify how these themes are found in both the music and the poetry of Liederkreis Op.3 9 i, 36, set to texts by Robert Reinick (1805 -- 1852). 4 The form of "In der Fremde" is ambiguous: there are arguments that it is through-composed and that it is in the A–B–A form. Edited by Kazuko Ozawa. 6 *#259871 - 3.60MB - 1:34 -  Toutes les informations de la Bibliothèque Nationale de France sur : Liederkreis. 6 Scanned at 600dpi grayscale, converted to monochrome. The dynamics (mostly piano) suggest that the storm is far away, yet the sense of urgency is still present in the single line of continuous, moving 16th notes. Funper (2010/6/12), Complete Score (S.568) [2] Schumann wrote it starting in May 1840,[3] the year in which he wrote such a large number of lieder that it is known as his "year of song" or Liederjahr. 39 (Schumann) “Rock” or “stone”? “The most romantic of all my works” (“Schumann”) Schumann’s “Liederkreis”, after poems by Joseph von Eichendorff, comprises settings of twelve texts with the common motif of being far from home.Our new edition presents the work in its definitive form published in the second edition of 1850, while taking into account Schumann’s autograph manuscript and other relevant sources. -  4 2 -  6 10 Songs start at $0.99. 6 Search Metadata Search text contents Search TV news captions Search archived websites Advanced Search. Recorded live at the Ratner Museum on May 4, 2010. 10 Identify and trace the themes of nature in the Liederkreis Op. 0.0/10 8 In der Fremde 10 7 ("Auf einer Burg") is not transposed from the original key of A minor. Schumann’s text changes in “Liederkreis” op. 2, 5, 6, and 8 are transposed from their original keys. 8 10 8 4 Sign up for free; Log in; Schumann: Liederkreis, Op. 8 Goldberg988 (2020/5/7), Complete Score (medium voice) The poem portrays immense feelings of loneliness when he says "no one [at home] knows [him/her] anymore." 2 39, Nachtstücke Op. -  By Robert Schumann. 39 ist ein Zyklus von Robert Schumann (1810–1856) aus zwölf Vertonungen von Gedichten Joseph von Eichendorffs (1788–1857) für Singstimme und Klavier, der im Jahr 1840 entstand und 1842 in einer ersten Druckfassung veröffentlicht wurde. 0.0/10 The first stanza is accompanied completely in F♯ minor and ends with a perfect authentic cadence. 0.0/10 10 4 (-) - V/V/V - 26969×⇩ - Aldona Jones, PDF scanned by US-R Im Walde • 12. Lust der Sturmnacht," "Zwölf Gedichte von Justinus Kerner, Op. Mattheson78 (2009/6/25), Complete Score Here they focus on the two contrasting Liederkreis (‘song-circle’) cycles using texts by Heine and Eichendorff. Intermezzo • 3. 2 10 0.0/10 39 per voce e piaforte 4 8 4 *#630208 - 0.43MB, 4 pp. 4 117. 35: I. OCLC Number: 14984853: Notes: The text of Liederkreis by Joseph Eichendorff. 8 Bryn Terfel ... Liederkreis, Op. The first two stanzas of the poetry are set to identical melodies in the vocal line, and there is also very strong similarity in the piano accompaniment, with only a few chords that differ. Problems The specific problems of this study are as follows: 1.) 2 2 6 -  The second stanza, while depicting the calm "rustle" of the forest, is more peaceful than the first, reflecting the relief that death would bring. The “Eichendorff” Liederkreis, op. 6 Die Luft ging durch die Felder, (-) - !N/!N/!N - 5575×⇩ - MP3 - Nomopomo, 4. The speaker can be interpreted as either going to a forest or as already being in the forest, a place that is beautiful for its solitude. Check out Schumann: Dichterliebe; Liederkreis op.39; Selection from "Myrten" by Dietrich Fischer-Dieskau & Christoph Eschenbach on Amazon Music. Aldona Jones (2012/2/1), Complete Score (scan) (Preview) 400 dpi. In a more literal interpretation, the narrator seeks the solace of death, wishing to escape a life with nothing left to offer him. Caprotti (2009/1/11), Piano Score - C (Flute or Oboe) 6 Moli 241041, Those files are part of Moliantegok Catalogue for flute - oboe - clarinet - saxophone, Selections are also found in the following collections. In the grander scheme of the poem, it can be said that von Eichendorff aimed to create an ethereal, dream-like scene, in order for the listener to understand the feelings of the narrator. (-) - V/V/V - 25×⇩ - Zeyarshwe, PDF scanned by US-PRV -  Some of them, such as the folk-like “In der Fremde” (In Foreign Lands) that opens the cycle, are quite dark, looking to death as consolation for loneliness. Throughout, there are applied chords of both the dominant (V) and subdominant (iv), which resolve to vii° and a Neapolitan chord (N), respectively. 2 Its poetry is taken from Joseph von Eichendorff's collection entitled Intermezzo. 2 Henle Music Folios. 39-article.ogg 20 min 21 s; 9.79 MB Robert Schumann Liederkreis op.39.pdf 1,275 × 1,650, 26 pages; 2.21 MB Robert Schumann Zwielicht.mid 0.0 s; 783 bytes *#21239 - 0.57MB, 8 pp. 0.0/10 10 0.0/10 Title Composer Schumann, Robert: Opus/Catalogue Number Op./Cat. -  Schon bald danach erfreuten sich einzelne Lieder des Werkes großer Beliebtheit. 4 Instead of them actually being dead, the narrator is addressing them from a point of young narcissism. (-) - !N/!N/!N - 15163×⇩ - MP3 - Nomopomo, ⇒ 11 more: 2. 6 Preview, buy, and download songs from the album Schumann: Kerner Lieder & Liederkreis, including "Zwölf Gedichte von Justinus Kerner, Op. 8 Stream ad-free or purchase CD's and MP3s now on Amazon.co.uk. 0.0/10 -  The forests rustled faintly, Learn how and when to remove this template message, International Music Score Library Project, https://en.wikipedia.org/w/index.php?title=Liederkreis,_Op._39_(Schumann)&oldid=991450091, Articles that may contain original research from October 2020, All articles that may contain original research, Articles with International Music Score Library Project links, Wikipedia articles with MusicBrainz work identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 30 November 2020, at 03:13. 2 Auf einer Burg The line "She must only dream of him" is very interesting in translation, because it is not necessarily referring to a human female and a human male. 6 its wings out far, Robert Schumann. 0.0/10 *#33392 - 1.07MB, 4 pp. 39 ist ein Zyklus von Robert Schumann aus zwölf Vertonungen von Gedichten Joseph von Eichendorffs für Singstimme und Klavier, der im Jahr 1840 entstand und 1842 in einer ersten Druckfassung veröffentlicht wurde. (-) - !N/!N/!N - 2660×⇩ - MP3 - Nomopomo, 9. (-) - !N/!N/!N - 861×⇩ - Larocque, PDF typeset by arranger Stream … 10 -  10 (-) - !N/!N/!N - 800×⇩ - Larocque, Piano Score - E♭ (Alto, Baritone sax) 2 No. (-) - V/V/V - 17601×⇩ - Goldberg988, Complete Score (low voice) 2 MKornmacher (2015/2/19), Complete Score (S.568) While in the first stanza, the narrator depicts loneliness and the act of leaving behind any sense of home, the second stanza welcomes the "quiet time" with "rest" that he desires. (-) - V/V/V - 38×⇩ - Morel, Complete Score 117: 1. 48 by Christoph Homberger, Christoph Keller on Amazon Music. 8 2 *#100036 - 0.67MB, 7 pp. Mondnacht • 6. 6 In the German language, there are feminine and masculine definite articles, which refer to other nouns as well. *#270920 - 3.16MB, 22 pp. Larocque (2013/10/30), Piano Score - B♭ (Clarinet or Soprano, Tenor sax) 4 (-) - !N/!N/!N - 3884×⇩ - MP3 - Nomopomo, 3. 6 And my soul stretched 4 Analyze the lieder of Schumann’s Liederkreis Op. (-) - !N/!N/!N - 2803×⇩ - MP3 - Cypressdome, Nos.6-12 *#139450 - 0.26MB, 2 pp. Content is available under the Creative Commons Attribution-ShareAlike 4.0 License I. Morgens steh’ ich auf und frage II. 6 2 (-) - V/V/V - 43466×⇩ - Ivdruiz, Complete Score (original or high voice) *#376058 - 15.29MB - 13:21 -  8 The second section (B) has all new melodic material and is in a major mode which contrasts with the A section. 2 6 0.0/10 8 Only Nos. 4 *#259869 - 4.38MB - 1:54 -  Frühlingsnacht, 2. 2 -  Looking back to the original German text, the sky (German: der Himmel) is masculine, while the Earth (Die Erde) is feminine. 39 estas ciklo de Robert Schumann (1810–1856) el dek du muzikigoj de poemoj de Joseph von Eichendorff (1788–1857) por kantvoĉo kaj piano, ekestinta en la jaro 1840.Loko kaj realigantoj de la unua prezentado estas nekonataj, sed jam baldaÅ­ post sia ekesto la verko estis ege ŝatata kaj nuntempe konsistigas gravan parton de la romantisma lidrepertuaro. Check out Robert Schumann: Liederkreis Op. The narrator claims for the parents to not know their child anymore, but this is an interpretation of the parent's view of the child and how it is different from the child's self-perception. 1999 Preview SONG TIME Vier Husarenlieder, Op. The big difference is the change in key, as the A′ section is in B minor before the song modulates back to the home key, F♯ minor. 8 Frühlingsnacht Schumann opens this song cycle with the lied In der Fremde in F♯ minor with arpeggiated chords in the piano. 8 *#259886 - 6.82MB - 2:58 -  *#259870 - 4.90MB - 2:08 -  2 -  Wehmuth 2 10 6 The breeze wafted through the fields, 0.0/10 The digressions from the norm occur in the last stanza, where the vocal line varies in pitch, but retains the same rhythmic structure. Waldesgespräch • 4. 10 "[1] Liederkreis, Op. 0.0/10 にて Op. 10 als flöge sie nach Haus. (-) - V/V/C - 1609×⇩ - RTM, 7. De-Liederkreis op. 0.0/10 Since Schumann composed this piece during the Romantic Period, the dynamics are extreme. Stirb, Lieb und Freud!," "Zwölf Gedichte von Justinus Kerner, Op. (-) - !N/!N/!N - 1930×⇩ - MKornmacher, PDF typeset by arranger *#300998 - 0.09MB, 2 pp. 10 Schalltrichter (2020/12/26), Complete Score Had silently kissed the earth, 8 10 6 es rauschten leis' die Wälder, Knowing this, perhaps von Eichendorff is trying to create a personified relationship of sorts between the two, saying the earth must "only dream" of the sky. *#259884 - 3.31MB - 1:26 -  Robert Schumann ‎– Liederkreis Op. Liederkreis op. 2 Op. 2 6 Es war, als hätt' der Himmel 35: II. 10 song cycle, Liederkreis Op. 2 Schöne Fremde *#100035 - 0.82MB, 7 pp. *#174917 - 6.08MB, 28 pp. 8 -  96 pages As the angst bleeds through from the pain of the realization that the narrator is alone, with no parents, the music lingers around the dominant in the uneasy A major. *#259867 - 4.77MB - 2:05 -  Op.39 I-Catalogue Number I-Cat. 6 Softcover. Schumann's choice of such minimal dynamics reflect the narrator's quiet resignation and longing for death. *#259888 - 3.16MB - 1:22 -  *#366079 - 0.08MB, 3 pp. 10 Digital recording. His descriptions of home include images of "lightning" and "clouds" that are "com[ing]". Zeyarshwe (2017/1/14), Complete Score and Violin Part 2 8 6 *#259885 - 5.65MB - 2:28 -  0.0/10 39, as a song cycle, but one in which the order of the songs does not in any way derive from the ordering of poems in a pre-existing literary work, as is the case, to a greater or lesser degree, in 10 8 0.0/10 These broken chords impart a feeling of perpetual motion, reflecting the stormy scene set up by the narrator. It can be argued that the form of "Mondnacht" is strophic, with some slight deviations from the norm. -  High Voice. So that in a shower of blossoms *#259874 - 2.82MB - 1:13 -  4 39; and 3.) Liederkreis, Op. 6 (-) - V/V/V - 164×⇩ - Goldberg988, PDF scanned by Goldberg988 This recording of Schumann’s two most famous “canonical” song cycles would seem at first to pair disparate entities. The A major section modulates to B minor, giving a dark and unexpected ending that transitions back into the home key. (-) - !N/!N/!N - 2729×⇩ - MP3 - Nomopomo, 11. 6 *#259887 - 3.02MB - 1:19 -  0.0/10 10 4 4 The text of this poem is simple in meaning. 0.0/10 This movement of Liederkreis has several applied chords, such as V/V. 0.0/10 piupianissimo (2011/4/25), Complete Score (S.568) (filter) (Preview) The second of Schumann's 2 ? -  0.0/10 (-) - V/V/V - 125×⇩ - Goldberg988, 6. 10 *#624143 - 3.78MB, 27 pp. Hobbypianist (2008/8/22), Complete Score (S.568) (scan) (Preview) 4 (-) - V/V/V - 15684×⇩ - piupianissimo, PDF scanned by piupianissimo The narrator expresses how he is resigned to his solitude and mortality. When we return to the home key of F♯ minor there is a tonic pedal that helps drive the movement to a close, giving a harmonic grounding as the moving 16th notes continue. 10 48, takes as its artistic conceit the stages of a failed love affair. 10 6 (-) - V/V/C - 6×⇩ - Schalltrichter, PDF scanned by Hathitrust 8 6 Though they are in different keys, the first and third sections (A) have nearly the same melody and comparable harmonic structures. The evidence that "In der Fremde" is through-composed is found in both the melody and the harmony. Almost exclusively, these applied chords do not resolve to the expected chord. 2 $32.95 / (Versions 1842 and 1850 High Voice and Piano). Liederkreis Op. 4 8 The only dynamic markings in the entire piece are in measures 1 and 5, indicating a piano or pianissimo dynamic. (-) - V/V/V - 2530×⇩ - Caprotti, PDF scanned by Caprotti Zwielicht 4 With each modulation, the melody changes. 10 IRS 90 Movements/Sections Mov'ts/Sec's: 12 lieder: In der Fremde Intermezzo Waldesgespräch Die Stille Mondnacht Schöne Fremde Auf einer Burg In der Fremde Wehmut Zwielicht Im Walde Frühlingsnacht Flew through the hushed lands, 10 6 8 Schumann-Liederkreis-Op.-24 (pdf / 46.99 KB) Robert Schumann: Liederkreis, Op. Der Liederkreis Op. -  Der Liederkreis Op. The modulations are not directly congruent with the stanza changes, which points to a through-composed piece. You know that from the high cliff at St. Goar she peered into the depths of the Rhine (disastrously for many) … But not for Henle in our edition of the Liederkreis op. 8 Schöne Fremde (A♭ major) 2 0.0/10 (-) - !N/!N/!N - 2649×⇩ - MP3 - Nomopomo, 7. Despite the description of "for Medium Voice," No.7 ("Auf einer Burg") is actually transposed, Saint-Maurice, QC: Productions du Moliantegok, 2013. (-) - V/V/C - 1845×⇩ - RTM, Complete Score 4 (-) - !N/!N/!N - 3398×⇩ - MP3 - Nomopomo, 8. so sternklar war die Nacht. 4 0.0/10 0.0/10 39 - Nach Gedichten Von Joseph Von Eichendorff Label: Electrola ‎– E 70 042, Electrola ‎– 70 042, Electrola ‎– E 70042 -  Es treibt mich hin, es treibt mich her III. *#665829 - 3.09MB, 6 pp. 39 on poems by Joseph von Eichendorff. 2 Auf einer Burg • 8. 4 In der Fremde (2) • 9. Zwielicht • 11. The forest serves as a place of peace for the narrator, giving them a refuge from a tumultuous home life. 10 Testo dei Liederkreis, op. 8 6 Later, specifically in the A major section, there are some crescendos and diminuendos marked in the piano part. Der Husar, Trara! as if it were flying home. 4 (-) - !N/!N/!N - 947×⇩ - Larocque, Complete Score (-) - V/V/13 - 1202×⇩ - piupianissimo. Additionally, the repeated, blocked chords in the piano accompaniment become much thicker with the doubling of notes. 8 39, comes from the long tradition of “Wanderer” cycles documenting a young man’s adventures in the wide world, whereas Dichterliebe, op. cyclic character. ( 全部 条) 什么是话题 无论是一部作品、一个人，还是一件事，都往往可以衍生出许多不同的话题。 The form could also be interpreted as A–B–A′ if the focus is predominantly on the vocal line. This in mind, the death of the narrator's parents can serve as a metaphor. die Ähren wogten sacht, The red flashes of lightning are clearly aligned to show that his home life is no longer something that he feels safe calling his own. The piece also has a relatively smooth texture, since the piano is playing legato arpeggios and the voice is singing a flowing, conjunct melody. (-) - V/V/V - 1721×⇩ - Funper, PDF scanned by Juilliard (color) 4 0.0/10 *#259872 - 8.59MB - 3:45 -  Und meine Seele spannte (-) - V/V/13 - 888×⇩ - piupianissimo, PDF scanned by piupianissimo *#51730 - 4.65MB, 24 pp. Die Stille • 5. Diese ergeben sich aus der oben erwähnten Anordnung von Inhalten und Tonarten, wurden jedoch nicht ausdrücklich von Schumann festgesetzt. 6 4 2 Mondnacht 2013-01-06 — Original posting (on Blogger) 2013-01-13 — Added addendum I and II, see below 2013-08-06 — New standard layout applied 2014-11-08 — Re-posting as is (WordPress) 2016-07-11 — Brushed up for better readability *#05258 - 3.38MB, 27 pp. 4 8 0.0/10 In the conjunct vocal line we feel the loneliness the narrator feels as he remembers his parents and reflects on his struggle. It can be argued that "In der Fremde" takes an A–B–A–C form. *#259883 - 6.93MB - 3:01 -  You know the Lorelei? 6 4 No. 4 0.0/10 10 0.0/10 -  0.0/10 in the spirit of Schumann's long pursuit of Clara Wieck. 39 - Robert Schumann (1810-1856) In early May 1840—the ‘wunderschöne Monat’ that also saw the creation of Dichterliebe—Schumann turned to the quintessential poet of German Romanticism, Joseph, Freiherr von Eichendorff (1788–1857), for another ‘song circle’.In a letter to Clara he called the twelve songs that make up the Liederkreis, Op 39 ‘my most romantic music ever, with much of you in it, dearest Clara’. Since the lightning is red, a phenomenon that occurs rarely, if ever, in nature, one can imagine that the storm is not a literal one but rather something that is only occurring in his mind. 4 2 Within each of these keys, the general structure is comparable, but the last significant section (mm 22–28) is strikingly different. 39-1 Aus der Haimat hinter den Blitzen rot (Eichendorff) Intermezzo / インテルメッツォ（間奏曲） Op.39-2 Dein Bildnis wunderselig (Eichendorff) Waldgespräch / 森での対話 Op.39 … die Erde still geküsst, (-) - V/V/V - 1378×⇩ - Hobbypianist, PDF scanned by Juilliard (mono) 8 (-) - !N/!N/!N - 2970×⇩ - MP3 - Nomopomo, 10. (-) - !N/!N/!N - 927×⇩ - MP3 - Cypressdome, Complete Score 39 Label: Harmonia Mundi ‎– HMG 501766, Harmonia Mundi France ‎– HMG 501766 0.0/10 *#139449 - 0.32MB, 2 pp. (-) - !N/!N/!N - 2207×⇩ - MP3 - Nomopomo, 12. -  Buy the album for $10.99. -  No. In der Fremde (2) 8 Die Stille 6 *#300997 - 0.09MB, 2 pp. First edition, proof with pencil corrections by the composer. weit ihre Flügel aus, There is a recurring motif between the A and A′ sections, and the difference between the two sections can be found in sparse accidentals and different intervals that make the variations on the original motif. (-) - !N/!N/!N - 3247×⇩ - MP3 - Nomopomo, 5. 0.0/10 (-) - V/V/V - 3993×⇩ - Mattheson78, PDF scanned by US-R 10 39, is regarded as one of the great song cycles of the 19th century, capturing, in essence, the Romantic experience of landscape. 8 2 2 Wehmuth • 10. 0.0/10 Liederkreis Alt ernative. dass sie im Blütenschimmer piupianissimo (2013/2/23), Complete Score (Preview) Schumann wrote two cycles of this name – the other being his Opus 24, to texts by Heinrich Heine – so this work is also known as the Eichendorff Liederkreis. The CD also includes the three songs Schumann set to poetry by Emanuel von Geibel (1815 -- 1884) as op 30, a lengthy song, "Die Lowenbraut", the Lion's Bride from op. This has the effect of creating unexpected harmonic tension, heightening the emotions of the narrator. Once the tone of the poem changes, the harmonic structure follows suit. 39 Liederkreis, twelve songs on texts by Joseph von Eichendorff, comes from later in 1840, when Schumann was feeling separation pangs. von ihm nur träumen müsst!